By Nicolas Slonimsky, Laura Diane Kuhn
Read Online or Download Baker's Biographical Dictionary of Musicians, Vol. 3: Haar-Levi PDF
Similar bibliographies & indexes books
Ismaili stories represents essentially the most contemporary fields of Islamic reviews. a lot new learn has taken position during this box as a result of restoration of a giant variety of Ismaili texts. This ebook encompasses a whole directory of the resources and secondary reviews, together with theses, written via Ismailis or approximately them in all significant Islamic and eu languages.
"The ISBD Consolidated version" merges the texts of 7 really good ISBDs (for books, maps, serials, sound recordings, laptop documents and different digital assets, and so on. ) right into a unmarried textual content. The "ISBD" comes in handy and acceptable for descriptions of bibliographic assets in any kind of catalogue. during this version the conditions for cataloguing a few of the assets were made extra in step with one another, and taken up to date.
The emergence of the net and the broad availability of cheap computing apparatus have created great curiosity in electronic libraries and digital publishing. This e-book is the 1st to supply an built-in review of the sector, together with a old viewpoint, the state-of-the-art, and present learn.
The US has shaped alliances, exchanged diplomats, traded items and prone, and fought wars with countries on each continent yet Antarctica. and other people have written books, articles, experiences, and papers by means of the millions on those topics. In American international kinfolk due to the fact that 1600, the 2002 president of the Society for Historians of yank international family members, Robert Beisner, has labored with contributors of SHAFR to assemble the main exhaustive survey of writing on American international kin ever released.
- Back in the Spaceship Again: Juvenile Science Fiction Series Since 1945 (Contributions to the Study of Science Fiction & Fantasy)
- Index to Records of Ante-Bellum Southern Plantations: Locations, Plantations, Surnames and Collections, 2d ed.
- Dissociative Identity Disorder - A Medical Dictionary, Bibliography, and Annotated Research Guide to Internet References
- The Newbery and Caldecott Awards: A Guide to the Medal and Honor Books (Newbery & Caldecott Awards)
- Madame Audrey's Guide to Mostly Cheap but Good Reference Books for Small and Rural Libraries (ALA Readers' Advisory)
Extra info for Baker's Biographical Dictionary of Musicians, Vol. 3: Haar-Levi
Hammerstein's first effort for Warner, for which he wrote the screenplay and the lyrics to songs by Romberg, was Viennese Nights, released in November 1930. It was not a success. , Dec. 22, 1930), among them ''I'm One of God's Children (Who Hasn't Got Wings)" (music by Louis Alter, lyrics also by Harry Ruskin), which became a hit for Libby Holman in February 1931. When Children of Dreams, Hammerstein's second screenplay for Warner, again with songs by him and Romberg, became a box office failure upon release in July 1931, the studio bought him out of his contract.
Handel's oratorio Samson, first performed in London on Feb. 18, 1743, was also successful, but his next oratorio, Semele (Feb. 10, 1744), failed to arouse public admiration. Continuing to work, and alternating between mythological subjects and religious themes, he composed Joseph and His Brethren (March 2, 1744), Hercules Gan. 5, 1745), and Belshazzar (March 27,1745). His subsequent works, composed between 1746 and 1752, were the Occasional Oratorio, Judas Maccabaeus, Joshua, Alexander Balus, Susanna, Solomon, Theodora, The Choice of Hercules, and Jephtha.
LKIDM Hampel, Gunter, free-jazz inspired vibraphonist, clarinetist, flutist, saxophonist, pianist, composer; b. Gottingen, Germany, Aug. 31, 1937. He has promoted his music, an outgrowth of free jazz though usually quite tuneful, through his own Birth label since 1969. His father was a pianist, and Hampel heard both local folk music and American jazz at an early age. He began playing and composing on piano from an early age, and took up clarinet at age 13. He began learning other reeds, and at age 17 was focusing on vibraphone and by 1958 was leading groups.