Adrian Willaert: A Guide to Research (Routledge Musical by David Kidger

By David Kidger

This key textual content stands out as the first full-length learn software on Adrian Willaert, the Renaissance composer of motets and madrigals who got here to prominence within the first a part of the 16th century, and may turn out important to researchers and scholars.

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Additional info for Adrian Willaert: A Guide to Research (Routledge Musical Bibliographies)

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A quatro voci. In Venetia Appresso di Antonio Gardane, 1553. ] Location: London. British Library. (A, T, B). Pittsburgh. University of Pittsburgh Music Library. (S, A, T). Wolfenbüttel, Herzog-August-Bibliothek, Musikabteilung. (S, A, T, B). Revised third edition of W1115 (1545) = RISM B/I: 154520 N025: no. 185, pp. 269–270. Sempre mi ride sta donna da bene [no. 1], p. 1, Adriano Zoia zentil che per secreta via (La Canzon di Ruzante) [no. 2], p. 2, Adriano Madonn’io non lo so perche lo fai [no.

34, Adriano [for first chorus, see cantus primus, no. 22] Octavi toni Credidi propter quod locutus sum [no. 26], p. 36, Adriano [for first chorus, see cantus primus, no. 23] Quarti toni In convertendo dominus [no. 27], p. 38, Adriano [for first chorus, see cantus primus, no. 24] Sexti toni W1121 (1559) = RISM B/I: 155925. Fantasie Recercari Contrapunti a tre voci di M. Adriano & de altri Autori appropriati per Cantare & Sonare d’ogni 50 Adrian Willaert sorte de Stromenti, Con dui Regina celi, l’uno di M.

Biblioteca nacional. (S). Madrid. Conservatorio Superior de Música. (S, A, T, B, Q, 6, 7). Modena. Biblioteca Estense. (S, T, B, 6, 7). Munich. Bayerische Staatsbibliothek, Musiksammlung. (S, A, T, B, Q, 6, 7). Naples. Biblioteca del Conservatorio di Musica S. Pietro a Maiella. (T—incomplete). Paris. Bibliothèque Nationale de France. (S, A, T, B, Q, 6, 7). Paris. Bibliothèque Sainte-Geneviève. (S, A, T, B, Q, 6, 7). Parma. ” (S). Sources of Willaert’s Music 51 Regensburg. Bischöfliche Zentralbibliothek.

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